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A Street Cat Named Bob Film Review

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A Street Cat Named Bob Film Video Review

Storyline: Based on the international best selling book. The true feel good story of how James Bowen, a busker and recovering drug addict, had his life transformed when he met a stray ginger cat. Written by IMDB

Summary: A Street Cat Named Bob is a 2016 British family comedy-drama film directed by Roger Spottiswoode and written by Tim John and Maria Nation. It is based on the book of same name by James Bowen. The film stars Luke Treadaway, Ruta Gedmintas, Joanne Froggatt, Anthony Head and Bob the Cat as himself. The film premiered in London, England on November 3, 2016; followed by a general release the next day on November 4, 2016. Written by Wikipedia

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Critic Reviews

70 Los Angeles Times | Michael Rechtshaffen
Veteran director Roger Spottiswoode, whose output has been spotty in recent years, returns to form with a perfectly weighted redemptive story that engages the heart without shying away from the darker aspects of Bowen’s recovery. Read full review

70 Screen International | Fionnuala Halligan
While Bob does slink around some predictable narrative beats, this is still a slyly subversive film with a social point to make as it highlights James’s isolation in a cold, hard-faced London which responds better to animals than its hopeless humans. Read full review

67 Austin Chronicle | Steve Davis
If you’ve ever felt the same about a Felis catus, you’ll cut A Street Cat Named Bob some slack for the same reason I did. You won’t be able to help yourself. And stock up on some Kleenex beforehand. You’re gonna need them. Read full review

60 The New York Times | Andy Webster
A savvy exercise in inspirational feel-good cinema lightly seasoned with grit. Read full review

60 The Telegraph | Patrick Smith
It’s just a shame the whole thing is so steeped in honkingly signposted feelgood sentiment. Read full review

60 Total Film | Jane Crowther
Bob has spawned multiple books, but what works on the page seems slight on screen. That’s not to say it isn’t life-affirming, it’s just not quite the cat’s pyjamas. Read full review

60 Variety | Guy Lodge
Unpretentiously touching on the page, this material feels stretched a bit thin on film, with televisual production values and a samey song score doing little to enrich matters: Still, it’s sweetly hopeful . Read full review

50 The Hollywood Reporter | Leslie Felperin
A film that admirably tries to remain true to the slightly gritty spirit of its source material. Unfortunately, it also occasionally sprays the wall with maudlin touches and misjudged additions to the story. Read full review

40 The Guardian | Mike McCahill
More meme than movie. Read full review

40 Empire | Ian Freer
A Street Cat Named Bob has its heart in the right place but doesn’t quite land on a tone to unite hard hitting drama and a cat-based comedy. Read full review

25 San Francisco Chronicle | G. Allen Johnson
Cute little fellow, but unfortunately, the film in which he stars is little more than catnip. Read full review

Critic Reviews Credit by: metacritic.com

Official Sites: Official Facebook, IMDBWikipedia
Country: UK
Language: English
Release Date: 18 November 2016 (USA)
Genres: Biography | Comedy | Drama | Family
Runtime: 103 min
Production: Shooting Script Films, Prescience, Iris Productions
Filming Locations: London, England, UK
Budget: $8,000,000 (estimated)

 

Director Credit
Roger Spottiswoode Director

 

Writer Credit
Garry Jenkins Writer
James Bowen Writer
Maria Nation Writer
Tim John Writer

 

Principal Cast Credit
Anthony Head Nigel Bowen
Bob the Cat Street Cat Bob
Joanne Froggatt Val
Luke Treadaway James Bowen
Ruta Gedmintas Belle

 

Cast Credit
Anthony Head Nigel Bowen
Beth Goddard Hilary
Bob Street Cat Bob
Bob the Cat Street Cat Bob
Caroline Goodall Mary
Daniel Fearn Dog Owner
Darren Evans Baz
Frances Ashman Danielle
Ivana Basic Carefoot Receptionist
Joanne Froggatt Val
Lorraine Ashbourne Simone
Luke Treadaway James Bowen
Mark Behan The Drug Dealer
Nina Wadia Padma
Ruta Gedmintas Belle
Ruth Sheen Elsie

 

Producer Credit
Adam Rolston Producer
Alice de Sousa Executive Producer
Anders Erden Executive Producer
Brian O’Shea Executive Producer
Caroline Stern Executive Producer
Damian Jones Executive Producer
Howard Ball Executive Producer
James Scott Executive Producer
John Rakoff Executive Producer
Laura Davison Executive Producer
Lorraine Goodman Line Producer
Nicolas Steil Executive Producer
Paul Brett Executive Producer
Spencer Pollard Executive Producer
Tim Smith Executive Producer

 

Music Credit
David Hirschfelder Music
Charlie Fink Music

Nocturnal Animals Film Review

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Nocturnal Animals Movie Video Review

Storyline: A “story inside a story,” in which the first part follows a woman named Susan who receives a book manuscript from her ex-husband, a man whom she left 20 years earlier, asking for her opinion. The second element follows the actual manuscript, called “Nocturnal Animals,” which revolves around a man whose family vacation turns violent and deadly. It also continues to follow the story of Susan, who finds herself recalling her first marriage and confronting some dark truths about herself. Written by IMDB

Nocturnal Animals Movie Video Review 2

Summary: Nocturnal Animals is a 2016 American neo-noir psychological thriller film written, co-produced, and directed by Tom Ford, based on the 1993 novel Tony and Susan by Austin Wright. The film stars an ensemble cast featuring Amy Adams, Jake Gyllenhaal, Michael Shannon, Aaron Taylor-Johnson, Isla Fisher, Armie Hammer, Laura Linney, Andrea Riseborough, and Michael Sheen. Principal photography began on October 5, 2015 in Los Angeles, California.

It was selected to compete for the Golden Lion at the 73rd Venice International Film Festival, where it won the Grand Jury Prize. The film is scheduled to be released in America on November 23, 2016, by Focus Features. Written by Wikipedia

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Critic Reviews

100 The Hollywood Reporter | David Rooney
Confidently dovetailing three strands that depict present and past reality, as well as a dark fictional detour that functions as a blunt real-life rebuke, the film once again demonstrates that Ford is both an intoxicating sensualist and an accomplished storyteller, with as fine an eye for character detail as he has for color and composition. Read full review

100 The Guardian | Peter Bradshaw
Some of the scenes in the LA art world are a bit broad. But this is a terrifically absorbing thriller with that vodka-kick of pure malice. Read full review

91 The Film Stage | Rory O’Connor
With everything going on, Nocturnal Animals is the sort of narrative and tonal minefield that a lesser director could easily have gotten lost in. Ford allows us to consider and cherish each unique thread and wonder just how it could all possibly come together. Read full review

91 Indiewire | Ben Croll
Nocturnal Animals is an impressively ambitious effort, one part mean Texas thriller, one part middle-age melodrama, and makes for a meta-textual riddle that is almost as pleasurable to reflect on as it to actually watch. Read full review

90 We Got This Covered | Darren Ruecker
Nocturnal Animals confirms Tom Ford as an essential director, as he gives us two dazzling stories that combine for one powerful movie experience. Read full review

90 Variety | Owen Gleiberman
Ford is a true moviemaker — a social observer who’s a junkie for sensation and narrative. He has structured Nocturnal Animals beautifully, so that the past feeds into the present, and fiction into reality. Read full review

88 ReelViews | James Berardinelli
Nocturnal Animals employs one of the most inventive uses of neo noir tropes and techniques I have seen in recent years. Intense, insightful, and strangely powerful, Tom Ford’s adaptation of Austin Wright’s novel, Tony and Susan, assumes an intelligent audience. Read full review

88 Rolling Stone | Peter Travers
Ford hits it out of the park again in Nocturnal Animals, a stunning film noir that resonates with ghostly, poetic terror. Read full review

85 TheWrap | Alonso Duralde
Nocturnal Animals packs a real punch and confirms that “A Single Man” was no fluke. Read full review

83 Entertainment Weekly | Leah Greenblatt
The movie’s lofty narrative ambitions never quite catch up with its aesthetics, but it’s still a fantastic beast of a film, intoxicating and strange. Read full review

80 Village Voice | Bilge Ebiri
Ford has given us a surprisingly candid peek into the creative process, into the strange little hurts — perceived or real, toxic or justified — that make up the soul of an artist. No, we may not like what we find in there. But I’m not sure he does, either. Read full review

80 Los Angeles Times | Justin Chang
The writer-director invests a tricky narrative juggling act with an intensity of human feeling that is the opposite of skin-deep. He tears through the veil of slick, self-admiring style that has both unlocked and at times obscured his very real merits as an artist. Read full review

80 New York Daily News | Stephen Whitty
It sounds a little too clever, but it’s not. It’s just clever enough. Read full review

80 Empire | Will Lawrence
Ford’s artfully composed and emotionally clever noir is well-paced and, in stark contrast to the naked flesh that opens the film, never, ever sags. Read full review

80 Total Film | Kevin Harley
Style is substance in Ford’s second film. Unlike many puzzle-piece movies, it thrills on every level. Read full review

80 The Telegraph | Robbie Collin
Everything that works in Nocturnal Animals is intoxicating, provocative, delicious – and happily, so is everything that doesn’t. Read full review

75 The A.V. Club | Ignatiy Vishnevetsky
Like Ford’s debut, Nocturnal Animals treats film as a medium of luxury, where the emotive and the self-indulgent cross paths. He is primarily a sensualist. Read full review

75 Washington Post | Michael O’Sullivan
It’s a tale bluntly told that arouses intense, evanescent emotion and then leaves you haunted, long afterward, by provocative but arguably answerable questions. Read full review

75 USA Today | Brian Truitt
From the bizarre opening (featuring a plethora of naked obese women) to the film’s parallel narratives conceit, there’s no shortage of style, though incoherence butts in from time to time. Read full review

75 San Francisco Chronicle | Mick LaSalle
There’s a mood, a feeling about life, that pervades Nocturnal Animals, one that’s expressed in visual terms. Read full review

75 New York Post | Kyle Smith
I’d love to tell you Tom Ford’s Nocturnal Animals is a cinematic masterpiece, and for most of its running time, that’s what I was planning to do. You must see it. But a great movie requires a great ending, and Nocturnal Animals doesn’t have one. Read full review

75 The Playlist | Jessica Kiang
Ford’s attempt to synthesize the two halves of his film into a coherent whole is what sells it all short. Read full review

70 Screen International | Fionnuala Halligan
As a screenwriter, Ford has made some brave choices in a difficult, complex adaptation. As a director, though, he veers between delivering far too much, and yet not quite enough. Read full review

67 Austin Chronicle | Marc Savlov
It’s a narratively audacious, ultra-stylish, and at times queasily violent film that’s likely to polarize audiences even as they find themselves unable to tear their eyes from the screen. Read full review

63 Boston Globe | Ty Burr
I don’t mean it as a cheap shot, but Nocturnal Animals is very like an exquisitely rendered window display. It’s something at which you pause and peer into and catch your breath — and then move on. Read full review

63 Slant Magazine | Jesse Cataldo
Nocturnal Animals gets close to a double-barreled satirical thriller commenting on the historic rift between city and country. Read full review

60 The New York Times | Manohla Dargis
There’s much to admire in Nocturnal Animals, including Mr. Ford’s ambition, but too often it feels like the work of an observant student. Read full review

60 Arizona Republic | Bill Goodykoontz
There’s a story within a story here, one more compelling and relatable than the other. Perhaps that’s by design. But even if that’s the case, it doesn’t mean the two parts co-exist comfortably, no matter what the intent. Read full review

60 Time | Stephanie Zacharek
As shot by the gifted cinematographer Seamus McGarvey, Nocturnal Animals is beautiful—or at least arresting—every minute, and it sure isn’t boring. But it’s unclear exactly what Ford is trying to say, though it’s clear he’s trying hard to say something. And that’s the most frustrating thing about this picture. Read full review

60 ScreenCrush | Erin Whitney
Nocturnal Animals doesn’t have much substance, but its dazzling style is hard to completely resist. Read full review

60 CineVue | John Bleasdale
It’s gorgeous, lush and fun, but there’s an underlying silliness to the endeavour which, despite occasional archness, constantly threatens to trivialise events. Read full review

50 Chicago Sun-Times | Richard Roeper
This is a bloodless, cold, self-congratulatory exercise in style for style’s sake. Read full review

50 New York Observer Rex Reed
The juxtaposition of tone, theme and content in the narratives fails beyond the basic ideas. This leaves the capable Gyllenhaal to do little more than scream and rant hysterically. Read full review

50 Miami Herald | Rene Rodriguez
The actors all suffer beautifully, but their pain doesn’t register: It’s all affectations and red-rimmed eyes. Read full review

50 Movie Nation | Roger Moore
The terrible, only-happens-in-the-movies crime and his character’s investigation of it are all that animate these “Nocturnal Creatures.” Read full review

50 Consequence of Sound | Sarah Kurchak
Lofty ideas of class, thwarted ambition, the superficiality of L.A. life, the nature of love, and the meaning of art are all explicitly addressed – and maybe discussed in a pretentious conversation or two – and then just as easily dropped, as if the simple act of naming themes is enough to establish their continued relevance in the film. Read full review

40 The New Yorker | Anthony Lane
I felt sorry for Gyllenhaal, berated in both his personae for being weak, and for Adams, strapped and laced into a role that scarcely lets her breathe. Read full review

40 Time Out London | Dave Calhoun
It’s the fashion designer’s second movie after his 2009 debut A Single Man, and this is a far more ambitious film, with its sprawling cast, various periods, layered storytelling and musings on life and art. But it’s also far less endearing and coherent, and feels almost unbearably cruel and cynical. Read full review

38 The Globe and Mail (Toronto) | Barry Hertz
When you combine the megawattage of Gyllenhaal and Adams with Ford’s directorial … well, “prowess” would be too strong a word, so let’s go with “vision.” So, when you combine those two actors with Ford’s vision, what you get is a ridiculous, high-camp mess that could easily be mistaken for substance, if it weren’t so irredeemably silly. Read full review

Critic Reviews Credit by: metacritic.com

Official Sites: Official Facebook, IMDBWikipedia
Country: USA
Language: English
Release Date: 9 December 2016 (USA)
Genres: Drama | Thriller
Runtime: 117 min
Production: Fade to Black Productions, Focus Features, Universal Pictures
Filming Locations: Los Angeles, California, USA
Budget: $22,500,000 (estimated)

 

Director Credit
Tom Ford Director

 

Writer Credit
Austin Wright Based On The Novel “Tony And Susan” By
Tom Ford Screenplay By

 

Principal Cast Credit
Aaron Taylor-Johnson Ray Marcus
Amy Adams Susan Morrow
Isla Fisher Laura Hastings
Jake Gyllenhaal Tony Hastings/Edward Sheffield
Michael Shannon Bobby Andes

 

Cast Credit
Aaron Taylor-Johnson Ray Marcus
Amanda Fields Art Gallery Guest
Amy Adams Susan Morrow
Andrea Riseborough Alessia
Armie Hammer Walker Morrow
Celeste Octavia Super Model
Ellie Bamber India Hastings
Franco Vega Driver
Imogen Waterhouse Chloe
India Menuez Samantha Morrow
Isla Fisher Laura Hastings
Jack Wallace Old Man
Jake Gyllenhaal Tony Hastings/Edward Sheffield
Karl Glusman Lou
Kim Basinger Anne Sutton
Kristin Bauer Cast
Laura Linney Anne Sutton
Maria Zyrianova Blonde Woman
Michael Shannon Bobby Andes
Michael Sheen Carlos
Neil Jackson Christopher
Nick Hounslow Party Attendee
Robert Aramayo Turk

 

Producer Credit
Alexandra Nourafchan Associate Producer
Diane L. Sabatini Co-Producer
Mark Harris Line Producer: 2nd Unit
Robert Salerno Producer
Tom Ford Producer

 

Music Credit
Abel Korzeniowski Music

Manchester by the Sea Film Review

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Manchester by the Sea Film Video Review

Storyline: After the death of his older brother Joe (Kyle Chandler), Lee Chandler (Casey Affleck) is shocked to learn that Joe has made him sole guardian of his nephew Patrick (Lucas Hedges). Taking leave of his job, Lee reluctantly returns to Manchester-by-the-Sea to care for Patrick, a spirited 15-year-old, and is forced to deal with a past that separated him from his wife Randi (Michelle Williams) and the community where he was born and raised. Bonded by the man who held their family together, Lee and Patrick struggle to adjust to a world without him. Written by Official Site

Manchester by the Sea Film Video Review 2

Summary: Manchester by the Sea is a 2016 American drama film directed and written by Kenneth Lonergan. The film stars Casey Affleck, Michelle Williams, Kyle Chandler, Gretchen Mol and Lucas Hedges. Principal photography on the film began on March 23, 2015, in Manchester-by-the-Sea, Massachusetts.

The film premiered at the Sundance Film Festival on January 23, 2016. It is scheduled for a limited release on November 18, 2016, before a wide release in mid-December. Written by Wikipedia

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Critic Reviews

100 New York Post | Kyle Smith
Affleck eschews all the actors’ clichés — burning intensity, soulful suffering, haunted brooding. It’s a magnificently interior performance, the sort of acting that doesn’t call attention to itself but draws us in to peer closer. Read full review

100  Wall Street Journal | Joe Morgenstern
See this film as soon as you can, preferably with someone you love. Kenneth Lonergan’s third feature as a writer-director is a drama of surpassing beauty, and Casey Affleck’s portrayal of the janitor, Lee Chandler, is stripped-back perfection — understated, unaffected, yet stunning in depth and resonance. Read full review

100  Entertainment Weekly | Chris Nashawaty
Affleck has never had a role that matches his minimal, anti-charisma style like this one. His tendency to be mumbly and awkward and withholding fits his character perfectly. And Hedges, as a temperamental teenager working through loss in his own authentically teenage way, is a real discovery. Michelle Williams, as Lee’s ex-wife, doesn’t get many scenes, but she cracks your heart open in the ones she has. Read full review

100  Los Angeles Times | Kenneth Turan
Powerful, emotional filmmaking that leaves a scar, Kenneth Lonergan’s Manchester By the Sea is heartbreaking yet somehow heartening, a film that just wallops you with its honesty, its authenticity and its access to despair.Read full review

100  The A.V. Club | A.A. Dowd
Manchester By The Sea sweats the big stuff and the small stuff, and that’s key to its anomalous power: This is a staggering American drama, almost operatic in the heartbreak it chronicles. Read full review

100  Rolling Stone | Peter TraversNov 16, 2016
No film this year has moved me more with its humor, heart and humanity. Read full review

100  Village Voice | April Wolfe
A poignant, surprisingly hilarious depiction of death, grieving, and small-town life. Read full review

100  We Got This Covered | Darren Ruecker
It’s a movie where even seasoned cinemagoers who feel like or claim to have seen everything are likely to marvel at how director Kenneth Lonergan was able to achieve something new, interesting, painful, hilarious, or beautiful, or some combination of all these things, in every single scene. It’s the type of movie that makes a person reach for the nearest hyperbole to describe it. Read full review

100  New York Daily News | Stephen Whitty
Despite his draw to tragic subjects, Lonergan holds onto a sharp, dark, Irish sense of humor, and a feel for the absurd that comes out at the most unexpected times. A playwright’s sense of what actors do, too. Affleck gives a career-best performance here. Read full review

100  USA Today | Brian Truitt
Manchester finds a way to weave together truly wrenching sequences with a clever sense of humor, and Lonergan pulls extraordinary performances from his entire cast, especially Casey Affleck. Read full review

100  New York Observer | Rex Reed
Manchester by the Sea is the best movie of the year. Read full review

100  Hitfix | Drew McWeeny
Kenneth Lonergan’s Manchester By The Sea is an extraordinarily wise and well-observed film about what can happen to someone when life gives them more than they can handle, and Casey Affleck’s lead performance is, simply put, the model of what great film acting should look like. Read full review

100  Time Out New York | Joshua Rothkopf
To say Lonergan has evolved further with his third feature would be an understatement: He toggles between his new plot’s years with the relaxed mastery of Boyhood’s Richard Linklater. Plus, he’s finally got a complex central performance that anchors his ambitions to cinema’s all-time great brooders. Read full review

100  Variety | Justin Chang
The persistence of grief and the hope of redemption are themes as timeless as dramaturgy itself, but rarely do they summon forth the kind of extraordinary swirl of love, anger, tenderness and brittle humor that is Manchester by the Sea. Read full review

100  Screen International | Fionnuala Halligan
Kenneth Lonergan’s deeply moving return after the travails of Margaret shows what a rare storyteller he is, measuring out his narrative beats in a world which crackles with life, guiding Casey Affleck’s magnificent performance, instantly recognisable as a career-be Read full review

100  New York Magazine (Vulture) | Bilge Ebiri
Lonergan is the master of taking a scene that starts off as something familiar, then sending it spinning off in another direction, and then pulling back at just the right moment, as the viewer’s imagination hurtles ahead to fill in the gaps. Read full review

91  The Playlist | Noel Murray
Manchester by the Sea is the kind of movie that doesn’t seem to be headed anywhere in particular for long stretches. And then, almost unexpectedly, it arrives. Read full review

91  The Film Stage | Jordan Raup
There are no clichés here, and Lonergan flawlessly carves out the most sincere moments to reveal a sprawling, deeply affecting odyssey of emotional recovery. Read full review

90  The New York Times | A.O. Scott
Mr. Affleck, in one of the most fiercely disciplined screen performances in recent memory, conveys both Lee’s inner avalanche of feeling and the numb decorum that holds it back. Read full review

88  Slant Magazine | Christopher Gray
Kenneth Lonergan’s film gradually comes to its sense of exquisitely calibrated, hardened intimacy. Read full review

83  Indiewire | Eric Kohn
It’s Lonergan’s masterfully subtle writing, littered with awkward exchanges that speak far louder than any cohesive monologue, that gives “Manchester” its humanity. Read full review

80  CineVue | Ben Nicholson
Comedy is used to undercut the most horribly tragic of moments…given the sadness all the more pathos and offering glimpses of hope in a narrative resistant to catharsis. Read full review

70  TheWrap | Robert Abele
A movie that, if never exactly a cathartic experience, carries you along in its clenched grip with an undeniable power. It’s sad and funny and real. Read full review

70 The Hollywood Reporter | Todd McCarthy
Everything Lonergan serves up is arguably germane, but the pace noticeably slackens in the second half; some of the uncle/nephew scenes feel repetitive and the dramatic destination begins to feel like it’s just being pushed further and further down the track. Read full review

60 The Guardian | Lanre Bakare
Manchester-by-the-Sea is a study of family dysfunction and the worse loss imaginable, but one held back by the fact it’s all filtered through Affleck’s withdrawn lead. Read full review

Critic Reviews Credit by: metacritic.com

Official Sites: Official FacebookOfficial Site, IMDBWikipedia
Country: USA
Language: English
Release Date: 18 November 2016 (USA)
Genres: Drama
Runtime: 137 min
Production: The Affleck/Middleton Project, B Story, Big Indie Pictures
Filming Locations: Lynn, Massachusetts, USA
Budget: 

 

Director Credit
Kenneth Lonergan Director

 

Writer Credit
Kenneth Lonergan Writer

 

Principal Cast Credit
Casey Affleck Lee Chandler
Kyle Chandler Joe Chandler
Lucas Hedges Patrick
Michelle Williams Randi Chandler

 

Cast Credit
Amanda Blattner Mourner
Anna Baryshnikov Sandy
Ben O’Brien Young Patrick
Brian Chamberlain 1st Detective
C.J. Wilson George
Casey Affleck Lee Chandler
Chaunty Spillane Funeral Mourner
Danae Nason Rachel
Erica McDermott Sue
Gretchen Mol Elise
Heather Burns Jill
Jeffrey Corazzini Dad At School
Josh Hamilton Wes, Joe’s Lawyer
Kara Hayward Silvie
Kyle Chandler Joe Chandler
Liam McNeill Josh (Randi’s Husband)
Lucas Hedges Patrick
Mark Burzenski Driver
Mary Mallen Sharon
Matthew Broderick Rodney
Michelle Williams Randi
Missy Yager Mrs. Olsen
Oscar Wahlberg Joel
Ruibo Qian Dr. Betheny
Stephanie Ann Saunders Funeral Mourner
Susan Pourfar Nurse Irene
Tate Donovan Hockey Coach
Tom Kemp Stan Chandler

 

Producer Credit
Bill Migliore Executive Producer
Chris Moore Producer
Declan Baldwin Executive Producer
John Krasinski Executive Producer
Josh Godfrey Executive Producer
Katie Pastore Associate Producer
Kevin J. Walsh Producer
Kimberly Steward Producer
Lauren Beck Producer
Matt Damon Producer
Matthew Myers Consulting Producer
Ryan Stowell Co-Producer

 

Music Credit
Lesley Barber Music

Fantastic Beasts and Where to Find Them Film Review

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Fantastic Beasts and Where to Find Them Movie Video Review

Summary: Fantastic Beasts and Where to Find Them is a 2016 British fantasy film directed by David Yates and distributed by Warner Bros. Pictures. A spin-off of the Harry Potter film series, the film was written by J. K. Rowling (in her screenwriting debut), inspired by her book of the same name. The film stars Eddie Redmayne as Newt Scamander with Katherine Waterston, Dan Fogler, Alison Sudol, Ezra Miller, Samantha Morton, Jon Voight, Carmen Ejogo and Colin Farrell.

Principal photography began at Warner Bros. Studios, Leavesden on 17 August 2015. Fantastic Beasts and Where to Find Thempremiered in New York City on 10 November 2016 and is scheduled to be released worldwide on 18 November 2016 in 3D, IMAX 4K Laser and other large format theatres. Written by Wikipedia

Fantastic Beasts and Where to Find Them Movie Video Review 2

Storyline: The year is 1926 and Newt Scamander has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident…were it not for a No-Maj (American for Muggle) named Jacob, a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds. Written by IMDB

Fantastic Beasts and Where to Find Them Movie Video Review 3

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Fantastic Beasts and Where to Find Them Movie Video Review 4

Critic Reviews:
The Guardian
Indiewire
New York Daily News
Time Out London
The Telegraph
Chicago Sun-Times
Variety
Screen International
The Hollywood Reporter
TheWrap
Entertainment Weekly
Empire
ScreenCrush
Total Film

Official Sites: Official siteIMDBWikipedia
Country: UK | USA
Language: English
Release Date: 18 November 2016 (USA)
Genres: Adventure | Family | Fantasy
Runtime: 133 min
Production: Heyday Films, Warner Bros.
Filming Locations: Leavesden Studios, Leavesden, Hertfordshire, England, UK
Budget: $180,000,000 (estimated)

Director Credit
David Yates Director

 

Writer Credit
J.K. Rowling Written By

 

Principal Cast Credit
Alison Sudol Queenie Goldstein
Carmen Ejogo Seraphina Picquery
Colin Farrell Percival Graves
Dan Fogler Jacob Kowalski
Eddie Redmayne Newt Scamander
Ezra Miller Credence
Katherine Waterston Porpentina Goldstein

 

Cast Credit
Akin Gazi Auror
Alison Sudol Queenie Goldstein
Attila G. Kerekes New York Citizen
Carmen Ejogo Seraphina Picquery
Chloe de Burgh Tenement Woman
Christine Marzano Exterminator
Cinta Laura Kiehl Candy Store Girl
Colin Farrell Percival Graves
Dan Fogler Jacob Kowalski
Denis Khoroshko Banker Smirnoff
Dino Fazzani Factory Worker
Eddie Redmayne Newt Scamander
Elizabeth Moynihan Executioner #1
Ezra Miller Kredan
Faith Wood-Blagrove Modesty
Flor Ferraco Bank Client
Gemma Chan Cast
Jason Newell Sasquatch
Jenn Murray Chastity
Joe Malone Young Wizard
Joelle Koissi New York Citizen
Johnny Depp Gellert Grindelwald
Jon Voight Henry Shaw, Sr
Jorge Leon Martinez Spaniard Ship Passenger
Kamil Lemieszewski Polish Noble Man/Jan Kowalski
Karl Farrer Banker
Katherine Waterston Porpentina Scamander
Lasco Atkins Pedestrian
Lobna Futers Witch
Lucie Pohl Secretary
Peter Breitmayer Gilbert Bingley
Richard Douglas Gentleman
Ron Perlman Gnarlack
Ronan Raftery Laurence
Sam Redford Customs Official
Samantha Morton Mary Lou
Sean Cronin Criminal
Zoë Kravitz Cast

 

Producer Credit
David Heyman Production Executive
J.K. Rowling Producer
Lionel Wigram Producer
Neil Blair Producer
Rick Senat Executive Producer
Steve Kloves Producer
Tim Lewis Executive Producer

 

Music Credit
James Newton Howard —-

Force 2 Film Review

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Force 2 Movie Video Review

Summary: Force 2 is an upcoming 2016 Indian Hindi action thriller film directed by Abhinay Deo which features John Abraham and Sonakshi Sinha in the lead roles. It is a sequel to the 2011 film Force.

Principal photography of the film commenced in August 2015, and it is scheduled to be released on 18 November 2016. Written by Wikipedia

Force 2 Movie Video Review 2

Storyline: ACP Yashvardhan teams up RAW Agent KK to bring down the master mind terrorist, Shiv. Written by IMDB

Force 2 Movie Video Review 3

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Critic Reviews
Times of India
Indian Express
Bollywood Life
india.com
Gulf News
Bollywood Hungama

Official Sites: IMDBWikipedia
Country: India
Language: Hindi
Release Date: 18 November 2016 (USA)
Genres: Action | Adventure | Crime | Mystery | Thriller
Runtime: 88 min
Production: J.A. Entertainment, Sunshine Pictures, Viacom18 Motion Pictures
Filming Locations:
Budget: INR 1,100,567,636 (estimated)

Director Credit
Abhinay Deo Director

 

Writer Credit
Parveez Shaikh Writer
Jasmeet K. Reen Writer

 

Cast Credit
John Abraham Yashwardhan
Sonakshi Sinha KK
Tahir Raj Bhasin Shiv
Adil Hussain
Björn Freiberg Sniper
Narendra Jha Rose Kennedy
Freddy Daruwala Nancy Tuckerman
Tsogbaatar Batzorig Chinese Agent
Luis Mc Swat Agent
Anoop Gautam Interogation officer
Ócsai Krisztián Security Guard (Uncredited)

 

Producer Credit
John Abraham Producer
György Czutor Supervising Producer
Sheel Kumar Co-Producer
Jaswinder Pabbla Supervising Producer
Aashin A. Shah Co-Producer
Vipul Amrutlal Shah Producer
Adi Sharmaa Executive Producer

 

Music Credit
Prasad Sashle Music

Bleed for This Movie Review

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Bleed for This Movie Video Review

Storyline: The inspirational story of World Champion Boxer Vinny Pazienza who, after a near fatal car crash, which left him not knowing if he’d ever walk again, made one of sports most incredible comebacks. Written by IMDB

Summary: Bleed for This is a 2016 American biographical boxing film written and directed by Ben Younger and based on the life of former world champion boxer Vinny Pazienza. The film stars Miles Teller as Paz, with Aaron Eckhart, Katey Sagal, Ciarán Hinds and Ted Levine in supporting roles.

The film had its world premiere at the 43rd Annual Telluride Film Festival on September 2, 2016 and is scheduled to be released in the United States on November 18, 2016, by Open Road Films. Written by Wikipedia

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Critic Reviews

100 Chicago Sun-Times | Richard Roeper
Miles Teller gives the performance of his career as the indefatigable Vinny “The Pazmanian Devil” Pazienza, and writer-director Ben Younger delivers one of the best boxing movies of the decade in Bleed for This. Read full review

80 We Got This Covered | Matt Donato
This is a boxing drama that scrappily battles for its recognition, determined to win you over at any cost. Read full review

80 Variety | Peter Debruge
Teller is terrific, which should come as no surprise to “Whiplash” fans, though no less significant, the film represents a significant return for writer-director Ben Younger. Read full review

75 Chicago Tribune | Michael Phillips
Don’t expect miracles. Not every biopic needs to reinvent the form. Sometimes it’s enough to inhabit it, engagingly. Read full review

75 Boston Globe | Ty Burr
Teller is cornering a market on recklessness in the roles he chooses — the energy from that demonic drum solo at the end of “Whiplash” seems to carry over into the ferocity with which Vinny pounds at life. He’s not very smart, he’s kind of a jerk, but he never, ever stops, and Bleed for This earns your respect for him. Read full review

75 New York Observer | Rex Reed
Nothing much revelatory here, but what makes the movie a keeper is the energy of director Ben Younger (Boiler Room) and the charisma of Miles Teller, the sensational young actor from “Whiplash,” who invests the role of a prizefighter with the same intensity he brought to the role of an obsessively driven drummer in that film. Read full review

70 Screen International | Wendy Ide
Rather than bring anything new to the genre, director Ben Younger settles for adding a distinctive bracing energy to the somewhat timeworn tropes. Read full review

70 The Hollywood Reporter | Todd McCarthy
Bleed for This is a gritty, pungently Rhode Island working class-set boxing drama that connects with most of its punches. Read full review

67 The A.V. Club | A.A. Dowd
Bleed For This looks at Vinny Paz and sees only unshakable determination, and though there’s a certain queasy, even darkly comic thrill to seeing the man (courageously? foolishly?) bench press his injuries away, Teller can’t make much of a character out of nothing but raw conviction and a spectacularly crappy mustache. Read full review

67 Entertainment Weekly | Chris Nashawaty
With the exception of maybe two scenes, you’ve seen everything in this movie before. Read full review

67 The Film Stage | Jared Mobarak
You won’t get the gravitas of Rocky, Raging Bull, or Creed, but you will get a character worthy of immortalization thanks to spirit and shenanigans. Read full review

67 The Playlist | Chris Willman
Paz’s story is obviously a feel-good one, which somewhat hamstrings a writer-director who you can feel chafing against the constraints of fidelity to sheer uplift. Read full review

63 Movie Nation | Roger Moore
Teller, who takes us from grins to grimaces with skill, and Eckhart, given his best role in years and his most likable performance ever, make Bleed for This worth the pain. Read full review

60 New York Daily News | Stephen Whitty
The movie’s no knockout, but at least it gives us one good performance, and one great one. Read full review

60 Time Out London | Tom Huddleston
Overall, Bleed For This is difficult to dislike: the story may be hokey but it’s real, and so is the sentiment behind it. Read full review

50 Austin Chronicle | Marjorie Baumgarten
Despite its narrative familiarity, the film is suffused with such contagious enthusiasm, distinctive performances, and local color that it stands out nevertheless. Read full review

50 Consequence of Sound Michael Roffman
Despite Pazienza’s own pitfalls and perils, the film never registers as anything more than a boilerplate boxing drama, which is a shame because the material is all there, it’s just hamstrung by a flimsy screenplay that refuses to let its characters exist on their own. Read full review

50 Indiewire | David Ehrlich
Every original drop of Bleed for This is lost in a sea of cliché and convention, and Younger seems totally incapable of separating the singular verve of his protagonist from the hackneyed arc of his defining ordeal. Read full review

40 The Guardian | Henry Barnes
For all its smashed open cuts and swollen eye sockets, Younger’s film remains an oddly sterile experience. For a biopic, it is remarkably featureless. Read full review

38 Slant Magazine | Kenji Fujishima
Any initial gestures toward acknowledging Vinny Paz’s macho egotism are eventually downplayed as the film becomes just another formulaic triumph-over-adversity saga. Read full review

Critic Reviews Credit by: metacritic.com

Official Sites: Official Facebook, IMDBWikipedia
Country: USA
Language: English
Release Date: 18 November 2016 (USA)
Genres: Biography | Drama | Sport
Runtime: 116 min
Production: Verdi Productions, Magna Entertainment, Bruce Cohen Productions
Filming Locations: Dunkin’ Donuts Center – 1 La Salle Square, Providence, Rhode Island, USA
Budget: 

 

Director Credit
Ben Younger Director

 

Writer Credit
Angelo Pizzo Writer
Ben Younger Writer
Pippa Bianco Writer

 

Principal Cast Credit
Aaron Eckhart Kevin Rooney
Ciarán Hinds Angelo Pazienza
Katey Sagal Louise Pazienza
Miles Teller Vinny Pazienza

 

Cast Credit
Aaron Eckhart Kevin Rooney
Allie Marshall Sport Reporter/Fight Attendee
Amanda Clayton Doreen Pazienza
Ashley Couture Ringside Spectator/High Roller Casino Gambler
Ashley Tramonte Ringside VIP
Christine Evangelista Ashley
Ciarán Hinds Angelo Pazienza
Dante Palminteri NBC Late Night Page
David Gere Scott Pryor
Gia Skova Duran Ring Girl
Jordan Gelber Dan Duva
Julie Ann Dawson Ring Girl
Katey Sagal Louise Pazienza
Kimberly Howe Doreen’s Friend
Liz Carey Charity
Mark Burzenski Event Security
Miles Teller Vinny Pazienza
Portland Helmich Reporter At Weigh-In
Stephanie McIntyre VIP Supporter
Susan Garibotto Casino Gambler
Ted Levine Lou Duva
Tina Casciani Heather

 

Producer Credit
Ben Matthew Empey Associate Producer
Ben Younger Producer
Bruce Cohen Producer
Chad A. Verdi Producer
David Gendron Executive Producer
Emma Tillinger Producer
Gino Pereira Associate Producer
Joshua Sason Executive Producer
Kori Sparks Associate Producer
Marielle Olentine Associate Producer
Martin Scorsese Executive Producer
Michael Hansen Executive Producer
Michelle Verdi Executive Producer
Myles Nestel Executive Producer
Noah Kraft Producer
Pamela Thur Producer
Robert Tarini Executive Producer

 

Music Credit
Julia Holter Music

The Edge of Seventeen (2016) Movie Review

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The Edge of Seventeen Movie Video Review

Storyline: Everyone knows that growing up is hard, and life is no easier for high school junior Nadine (Hailee Steinfeld), who is already at peak awkwardness when her all-star older brother Darian (Blake Jenner) starts dating her best friend Krista (Haley Lu Richardson). All at once, Nadine feels more alone than ever, until the unexpected friendship of a thoughtful boy (Hayden Szeto) gives her a glimmer of hope that things just might not be so terrible after all. Written by IMDB

The Edge of Seventeen Movie Video Review 2

Summary: The Edge of Seventeen (originally titled Besties) is a 2016 American comedy drama film directed and written by Kelly Fremon Craig. The film stars Hailee Steinfeld, Haley Lu Richardson, Hayden Szeto, Blake Jenner, Woody Harrelson and Kyra Sedgwick. Principal photography began on October 21, 2015 in Vancouver, and ended on December 3, 2015.

The film premiered at the 2016 Toronto International Film Festival on September 18, 2016 and will be released on November 18, 2016 by STX Entertainment. Written by Wikipedia

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Critic Reviews

91 Indiewire | David Ehrlich
Unfolding like a symphony of small humiliations, there isn’t a moment in this movie that doesn’t feel at least vaguely familiar, and there isn’t a moment in this movie that doesn’t feel completely true. Read full review

90 New York Daily News | Ariel Scotti
Steinfeld is brilliantly able to weave together a character who’s both typical and yet surprising in her multidimensional emotions that Nadine slowly works through. She’s not a cookie-cutter character. Read full review

83 The A.V. Club | Jesse Hassenger
Despite its upstart distributor and relatively low-key cast, it’s an unabashedly mainstream movie; compared with edgier, more indie versions of onscreen American youth, it might even look a little pat. Read full review

83 The Playlist | Kimber Myers
Steinfeld’s performance and the script from Kelly Fremon Craig have created a young woman who feels entirely familiar, while never feeling like a retread of the other teenagers who have walked the cinematic high school halls before her. Read full review

80 We Got This Covered | Matt Donato
The Edge Of Seventeen boasts an emotional journey filled with wit, humor and heart, resting easy on the back of Hailee Steinfeld’s dynamite performance. Read full review

80 Variety | Owen Gleiberman
It’s a teen movie that starts off funny ha-ha but turns into something more like a light-fingered psychological thriller. The drama is all in Nadine’s personality, in how far she’ll go to act out her distress. Read full review

80 The Hollywood Reporter | Jon Frosch
Fast, full-hearted and graced with a beautifully modulated lead turn by Hailee Steinfeld, the movie takes the risk of playing it straight and sincere — and the risk pays off. Read full review

78 Austin Chronicle | Kimberley Jones
I recognized a lot of my younger self in The Edge of Seventeen. It’s crummy that teenagers just shy of 17 won’t get the same chance. Read full review

75 Consequence of Sound | Dominick Suzanne-Mayer
The Edge of Seventeen has more than enough earnestness of heart to make up for its structural shortcomings. It’s a teen film with an uncommonly honest ear for interactions. Read full review

75 San Francisco Chronicle | Mick LaSalle
While The Edge of Seventeen does deliver on the promise of being funny, it’s mostly dead serious and deserving of respect and attention. It’s far from the usual thing — and better than the usual thing. Read full review

75 Charlotte Observer | Lawrence Toppman
I can’t think of a single situation where Kelly Fremon Craig, who makes her feature debut as a writer-director, takes us to a place we haven’t often been. Yet she lays out her heroine’s dilemmas with good humor and understanding. Read full review

75 Slant Magazine | Christopher Gray
The smartest thing about Kelly Fremon Craig’s teen dramedy is its measured take on its protagonist’s theatrics.Read full review

75 The Film Stage | Daniel Schindel
The Edge of Seventeen isn’t John Hughes for a new generation – it’s much more honest than that. Read full review

60 Village Voice | April Wolfe
The scenes that work just make me ache for more of them, signaling that if Craig finds her groove, she’ll be a force to reckon with. Read full review

60 Screen International | Tim Grierson
Fremon Craig doesn’t radically alter the conventions of the coming-of-age narrative, and so a general predictability settles over the proceedings pretty quickly. With that said, though, she does a good job observing the relationships between her central characters. Read full review

50 The New Yorker | Richard Brody
Only Hailee Steinfeld’s committed performance as Nadine, a troubled high-school junior in Oregon, and Woody Harrelson’s deft turn, as a teacher who helps her, make this thin and cliché-riddled comic drama worth watching. Read full review

Critic Reviews Credit by: metacritic.com

Official Sites: Official Facebook, Official siteIMDBWikipedia
Country: USA
Language: English
Release Date: 18 November 2016 (USA)
Genres: Comedy | Drama
Runtime: 104 min
Production: Gracie Films, STX Entertainment
Filming Locations: Vancouver, British Columbia, Canada
Budget: 

Director Credit
Kelly Fremon Craig Director

 

Writer Credit
Kelly Fremon Craig Written By

 

Principal Cast Credit
Blake Jenner Darian
Hailee Steinfeld Nadine
Haley Lu Richardson Krista
Kyra Sedgwick Mona
Woody Harrelson Mr. Bruner

 

Cast Credit
Alexander Calvert Nick Mossman
Ava Grace Cooper Young Krista
Blake Jenner Darian
Christian Michael Cooper Young Darian
Daniel Bacon M.C.
Eric Keenleyside Tom
Hailee Steinfeld Nadine Byrd
Haley Lu Richardson Krista
Hayden Szeto Erwin
Jena Skodje Little Mean Girl Leader
Josh Simpson Teammate #1
Katie Stuart Jeannie
Kelsey Marsland-Anderson Student, Plays Piano
Kyra Sedgwick Mona
Laine MacNeil TCBY Girl
Lina Renna Little Nadine
Nesta Cooper Shannon
Woody Harrelson Mr. Bruner

 

Producer Credit
Adam Fogelson Executive Producer
Amy Brooks Co-Producer
Brendan Ferguson Executive Producer
Cathy Schulman Executive Producer
Donald Tang Executive Producer
James Bitonti Co-Producer
James L. Brooks Producer
Jerry Ye Executive Producer
Julie Ansell Producer
Kelly Fremon Craig Producer
Oren Aviv Executive Producer
Pete Corral Executive Producer
Richard Sakai Producer
Robert Simonds Executive Producer
Zhongjun Wang Executive Producer

 

Music Credit
Atli Örvarsson Music

Force 2 Movie Review

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Force 2 Movie Video Review

Summary: Force 2 is an upcoming 2016 Indian Hindi action thriller film directed by Abhinay Deo which features John Abraham and Sonakshi Sinha in the lead roles. It is a sequel to the 2011 film Force.

Principal photography of the film commenced in August 2015, and it is scheduled to be released on 18 November 2016. Written by Wikipedia

Force 2 Movie Video Review 2

Storyline: ACP Yashvardhan teams up RAW Agent KK to bring down the master mind terrorist, Shiv. Written by IMDB

Force 2 Movie Video Review 3

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Critic Reviews
Times of India
Indian Express
Bollywood Life
india.com
Gulf News
Bollywood Hungama

Official Sites: IMDBWikipedia
Country: India
Language: Hindi
Release Date: 18 November 2016 (USA)
Genres: Action | Adventure | Crime | Mystery | Thriller
Runtime: 88 min
Production: J.A. Entertainment, Sunshine Pictures, Viacom18 Motion Pictures
Filming Locations:
Budget: INR 1,100,567,636 (estimated)

Director Credit
Abhinay Deo Director

 

Writer Credit
Parveez Shaikh Writer
Jasmeet K. Reen Writer

 

Cast Credit
John Abraham Yashwardhan
Sonakshi Sinha KK
Tahir Raj Bhasin Shiv
Adil Hussain
Björn Freiberg Sniper
Narendra Jha Rose Kennedy
Freddy Daruwala Nancy Tuckerman
Tsogbaatar Batzorig Chinese Agent
Luis Mc Swat Agent
Anoop Gautam Interogation officer
Ócsai Krisztián Security Guard (Uncredited)

 

Producer Credit
John Abraham Producer
György Czutor Supervising Producer
Sheel Kumar Co-Producer
Jaswinder Pabbla Supervising Producer
Aashin A. Shah Co-Producer
Vipul Amrutlal Shah Producer
Adi Sharmaa Executive Producer

 

Music Credit
Prasad Sashle Music

Tum Bin 2 Movie Review

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Tum Bin 2 Movie Video Review

Summary: Tum Bin II (English: Without you II) is an upcoming 2016 Indian Hindi romantic drama film, written and directed by Anubhav Sinha. It is produced by Sinha and Bhushan Kumar, under the T-Series banner. It is a sequel to the 2001 film, Tum Bin. It features Neha Sharma, Aditya Seal and Aashim Gulati in lead roles. The film is scheduled to be released on 18 November 2016. Written by Wikipedia

Tum Bin 2 Movie Video Review 2

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Critic Reviews
The Reporter Times
Just Bollywood
Bollywood Life
Indian Express
News 18
Times of India

Official Sites: IMDBWikipedia
Country: India
Language: Hindi
Release Date: 18 November 2016 (India)
Genres: Romance
Runtime: 147 min
Production: Benaras Mediaworks, T-Series
Filming Locations: Glasgow, Scotland, UK
Budget: 

Director Credit
Anubhav Sinha Director

 

Writer Credit
Anubhav Sinha Writer

 

Cast Credit
Farah Ahmed Inauguration Guest
Dwayne Bravo Special Appearnce
Aashim Gulati
Andrew Kelly Paramedic
Aditya Seal
Neha Sharma
Kanwaljit Singh

 

Producer Credit
Jim Edgar Associate Line Producer
Ajay Kapoor Co-Producer
Bhushan Kumar Producer
Krishan Kumar Producer
Cyrus Patel Line Producer
Sagar Shirgaonkar Executive Producer
Anubhav Sinha Producer
Taranng Takrani Line Producer

 

Music Credit
Ankit Tiwari —-

Dhan Guru Nanak Diljit Dosanjh Latest Punjabi Song & Lyrics

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Dhan Guru Nanak Diljit Dosanjh Latest Punjabi Song & Lyrics

Song: Dhan Guru Nanak
Artist: Diljit Dosanjh
Directed by: Pankaj batra
Music Director: Jassi Brothers
Lyrics: Veet Baljit
Concept by: Gurpreet Palhrri
D.O.P.: Rajesh Rothre
Editor: Bharat Singh Rawat
Music on: White Hill Music
Digitally Powered By: One Digital Entertainment

Available for Download on iTunes – itunes.apple.com

Dhan Guru Nanak Diljit Dosanjh Song Lyrics

Ho kirt karo te vand shako da laya hoka
Eh soch sachi kartaar di hai
Hai ikk din paani dharti ne mukk jaana
Kyu Sai sachal pai maardi hai

Eh sone range dharti utte sona hi ugna ae
Kadon kirt de suraj ne haaye dobeya dubbna ae
Ho koi siyasat vattan utte akh ni la sakdi
Guru Nanak de kheta cho barkat ni jaa sakdi

Baba majhiyan charaunda disda ae
Paani kheta nu launda disda ae
Hatt sach di chalaunda disda ae
Naale langar chhakounda
Langar chhakounda disda ae
Baba majhiyan charaunda disda ae

Oh rukh kade na vadhon te na maaro dhiyan nu
Mehne milde rehne aa sarhand deya neeha nu
Kyun Veet konkeya waleya badli matth ni ja sakdi
Guru Nanak de kheta cho barkat ne jaa sakdi

Baba majhiyan charaunda disda ae
Paani kheta nu launda disda ae
Hatt sach di chalaunda disda ae
Naale langar chhakounda
Langar chhakounda disda ae
Baba majhiyan charaunda disda ae

Kyu ni bandeya karda paase paap pakhanda nu
Sirr te chakki firdae kyu bharma deya pandha nu
Kade vi chakki sirr ton Rabb di chhat ne jaa sakdi
Guru Nanak de kheta cho barkat ne jaa sakdi

Baba majhiyan charaunda disda ae
Paani kheta nu launda disda ae
Hatt sach di chalaunda disda ae
Naale langar chhakounda
Langar chhakounda disda ae
Baba majhiyan charaunda disda ae
Paani kheta nu launda disda ae

Majhiyan charaunda disda ae
Baba majhiyan charaunda disda ae (x3)